Chris and I went for a wander a couple of weeks ago, we try to get one day a week where we just take off in the car and head wherever the pointer lands on the map. This time it landed on Wales, Talacre to be exact! Now this has become a bit of an in joke between us as Chris did ask me if i wanted to go to Talacre for our honeymoon 18 years ago. Silly me thought it was in Spain! When it is 5.5 miles as the crow flies from our home. 🙂 Well we didnt go then but have been since. This day was beautiful, one of those rare winter days of deep blue sky, warm sun and no need for a coat, perfect. We drove over the Shotton bridge, i am going back to photograph it, and meandered down to Mostyn. We had lunch at a little cafe and wandered over to see the old ship that is docked there. The Duke of Lancaster (http://www.dukeoflancaster.net/ ) was a night club at one point but now it is an art gallery for some truly amazing graffiti art. There are several artists using her as a canvas at the moment Kiwi a Latvian (http://www.youtube.com/watch?v=WzlRCGzGNu8) and a group calling themselves Dudug (http://www.dudug.co.uk) have also added their work. It all makes for some great photography, the ship is beautiful in all of her rust and art and really deserves a visit. If you want to take photos though it has to be from the path as Dudug have a ‘thing’ and if they find you have photographed their art and put it up on any websites for sale they do prosecute.
A good question. Does it mean, what is in the image, who took it, what did they take the image with, how did they process the image or how did they ‘see’ the image?
My secret, ‘shhh’ is that i ‘see’ the image i want to create, only in my head. I think it stems from art college and being told to ‘see’ the image i wanted to either draw or paint. So this means i have to travel around the Wirral, where i live, trying to ‘find’ my image. Once it is ‘found’ i then set about recreating the image from my mind and i may do this by ‘bracketing’ my exposures and using photomatix to merge the images or waiting for the ‘right’ kind of weather conditions. There may be a bit of post production using photoshop, or not. I use a Nikon D3100, so i manually bracket the exposures, occasionally i may get a good image with my phone camera, they do go through photoshop as they are generally either over or under exposed.
I feel sometimes that unless you are a ‘name’ then it doesn’t matter how good your images are and its a kind of snobbery, if you haven’t had the exposure and your name isn’t known then no one will take a chance and say ‘ well hey, actually this image is pretty good!’ This is a shame as there are plenty of unknown’s out there waiting to make their ‘name,’ its such a slow process.
Here are two images of the same lighthouse, can you tell which is the bracketed image and which not?
I want to be able to recreate the image my eye see’s rather than just a flat replica of what is in front of me, so i have been experimenting with what makes an image and i have decided that i ‘like’ the end result of ‘bracketing’ exposure’s and combining the images. The images seem more alive, they have more depth, so for me, at the moment, what makes an image? is best answered as ‘being able to see the image, using exposure bracketing and then combining the images together with photomatix and a little bit of photoshop too.’ It’s a bit more complicated than just point and shoot but i think it is so worth my while. I just wish people would buy my work!
If you are interested in bracketing exposures and how it works, this is a great article. http://www.thephotoargus.com/101/how-to-use-bracketing-in-your-photography/